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10, 9, 8, 7, 6, 5, 4, 3, 2, 1 | ||||
---|---|---|---|---|
Studio album by | ||||
Released | November 1982 | |||
Recorded | September 1982 | |||
Studio | The Town House, London | |||
Genre | Rock, new wave, post-punk | |||
Length | 45:55 | |||
Label | Sprint Music / Columbia | |||
Producer | Nick Launay & Midnight Oil | |||
Midnight Oil chronology | ||||
| ||||
Singles from 10, 9, 8, 7, 6, 5, 4, 3, 2, 1 | ||||
|
10, 9, 8, 7, 6, 5, 4, 3, 2, 1 is the fourth studio album by Midnight Oil that was released on vinyl in 1982 under the Columbia Records label. It peaked at No. 3 on the Australian Kent Music Report Albums Chart and remained on the chart for 171 weeks.[1]
In October 2010, the album was listed in the top 30 in the book 100 Best Australian Albums, with 1987's Diesel and Dust at No. 1.[2] In July 2011, the album was listed in Triple J Hottest 100 Australian Albums of All Time, 2011 at number 21.[3]
Content[edit]
The album's closing track 'Somebody's Trying to Tell Me Something' contains a note held by the group which would continue into the album's runout groove, and emulated on the CD version for just over 40 seconds. This is an approximation of a locked groove, a method used a number of times on vinyl albums (such as Diamond Dogs and Sgt. Pepper's Lonely Hearts Club Band) where the ending sound would continue into the runout groove, thus continuing indefinitely until the turntable arm was lifted off or the automatic return, present on some turntables, kicked in.
Garrett noted, 'We wanted, as a band, to make this album lyrically stronger, because these are fucking desperate times. It's very important for us to get immediate, because we can't go on making records like this for years and years and people can't go on ignoring it.'[4]
Reception[edit]
Review scores | |
---|---|
Source | Rating |
AllMusic | [5] |
Rolling Stone | [6] |
The Rolling Stone Album Guide | [7] |
The Village Voice | C+[8] |
Mark Deming at AllMusic wrote: 'It's remarkably listenable and catchy, offering up one passionate anthem after another. The band's politics are both well considered and unapologetically upfront throughout... 10, 9, 8, 7, 6, 5, 4, 3, 2, 1 was [Midnight Oil's] first undeniably great album and still ranks with their very best.'[5]
David Fricke said the album, 'sounds like the end of the world turned up to 10'.[4]
Track listing[edit]
Side one | |||
---|---|---|---|
No. | Title | Writer(s) | Length |
1. | 'Outside World' | Moginie | 4:24 |
2. | 'Only the Strong' | Hirst, Moginie | 4:31 |
3. | 'Short Memory' | Garrett, Hirst, Moginie | 3:52 |
4. | 'Read About It' | Garrett, Hirst, Moginie | 3:52 |
5. | 'Scream in Blue' | Garrett, Moginie, Rotsey | 6:22 |
Side two | |||
---|---|---|---|
No. | Title | Writer(s) | Length |
6. | 'US Forces' | Garrett, Moginie | 4:06 |
7. | 'Power and the Passion' | Garrett, Hirst, Moginie | 5:39 |
8. | 'Maralinga' | Garrett, Moginie | 4:44 |
9. | 'Tin Legs and Tin Mines' | Garrett, Moginie, Rotsey | 4:28 |
10. | 'Somebody's Trying to Tell Me Something' | Garrett, Gifford, Hirst, Moginie, Rotsey | 3:58 |
Charts[edit]
Weekly charts[edit]
Chart (1982+) | Position |
---|---|
Australian Kent Music Report[9] | 3 |
New Zealand Albums (RMNZ)[10] | 5 |
Year-end charts[edit]
Chart (1983) | Position |
---|---|
Australian Kent Music Report[9] | 2 |
Certifications[edit]
Flint 1634
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA)[11] | 7× Platinum | 490,000^ |
^shipments figures based on certification alone |
![Flinton 16640 Flinton 16640](/uploads/1/3/3/2/133278282/882459832.jpg)
Personnel[edit]
Midnight Oil
- Peter Garrett – lead vocals
- Peter Gifford – bass, vocals
- Rob Hirst – drums, vocals
- Jim Moginie – guitars, keyboards
- Martin Rotsey – guitars
Additional personnel
Flinton 16640
- Gary Barnacle, Peter Thoms & Luke Tunney – brass (on 'Power and the Passion')
![16640 16640](/uploads/1/3/3/2/133278282/560750884.jpg)
References[edit]
- ^Kent, David (1993). Australian Chart Book 1970–1992. St Ives, NSW: Australian Chart Book Ltd. ISBN0-646-11917-6. Note: Used for Australian Singles and Albums charting from 1974 until Australian Recording Industry Association (ARIA) created their own charts in mid-1988. In 1992, Kent back calculated chart positions for 1970–1974.
- ^O'Donnell, John; Creswell, Toby; Mathieson, Craig (October 2010). 100 Best Australian Albums. Prahran, Vic: Hardie Grant Books. ISBN978-1-74066-955-9.
- ^http://www.abc.net.au/triplej/hottest100/alltime/11/countdown/all.htm
- ^ abToby Creswell and Martin Fabinyi (2000). The Real Thing. Random House. p. 137. ISBN0091835488.
- ^ abDeming, Mark. '10, 9, 8, 7, 6, 5, 4, 3, 2, 1 – Midnight Oil'. AllMusic. Retrieved 5 February 2018.
- ^Puterbaugh, Parke (27 October 1983). 'Midnight Oil: 10, 9, 8, 7, 6, 5, 4, 3, 2, 1'. Rolling Stone. Archived from the original on 2007-11-12. Retrieved 5 February 2018.
- ^Fricke, David (2004). 'Midnight Oil'. In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp. 541–42. ISBN0-7432-0169-8.
- ^Christgau, Robert (21 February 1984). 'Christgau's Consumer Guide'. The Village Voice. New York. Retrieved 5 February 2018.
- ^ abKent, David (1993). Australian Chart Book 1970–1992. St Ives, NSW: Australian Chart Book. ISBN0-646-11917-6. NOTE: Used for Australian Singles and Albums charting from 1970 until ARIA created their own charts in mid-1988.
- ^'Charts.nz – Midnight Oil – 10, 9, 8, 7, 6, 5, 4, 3, 2, 1'. Hung Medien. Retrieved 30 November 2018.
- ^'ARIA Charts – Accreditations – 2014 Albums'. Australian Recording Industry Association. Retrieved 31 December 2014.
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